November 11, 2013 at 11:47 PM #6345
Probably the most sung gospel song ever and the one that always makes my mother-in-law cry.March 19, 2014 at 4:16 PM #6619RachelGuest
Thank you so much for your lessons! This is the first site I have found where I actually understand what is being played and also how to read violin tab.
I plan on joining. My question..Are there more lessons than what I am seeing on here or is this just a donation for the work you do? Seriously I am completely fine either way and was just curious.
Thanks so much again and I am looking forward in my fiddle journey. At 44, it’s on my bucket list. 🙂
RachelMarch 19, 2014 at 4:44 PM #6620
Hi! For a list of my tunes, click on the “Tunes List” tabs. There you can link to all of my songs. This is a fairly new site, and I add about one tune per week. I’m glad you are picking up the fiddle! JohnMay 2, 2014 at 8:20 PM #6626
My son has been taking fiddle lessons for about a year and a half now. Going to sign up so we can have access to your lessons! I am sure he can learn much from you, but just having access to the mp3 accompaniment tracks is worth the price of admission.May 2, 2014 at 8:24 PM #6627
Thank you! Please spread the word!July 1, 2014 at 1:49 PM #4690
dear john can you teach an old dog lke new lessons I can play a lot of old Christmas songs and old hymns out os an old church book plus some of the song you teach I need to learn some new kind of gosel like the new praise and worships song pplus some classical type like 2nd and 3rd position can you teach a little about that ? would like to come to yourfiddle camp if you got a placeto stay for a few nights what do you think ? mike whiteJuly 1, 2014 at 11:12 PM #4691
Hi Mike, I am hoping to put up more gospel songs. That is really my first love. Our fiddle camp is every Tuesday night from Memorial Day to the first weekend of August, unless there is a bad storm in the forecast. I would love for you to come by if you are vacationing around Boone or Blowing Rock sometime! We are about 15 minutes from town, and it is a nice place to visit. JohnJuly 2, 2014 at 11:13 PM #4692
yes john I see that it is a very nice place and great people too yes I really would like to just jump on a bus and ride into town if it does get near there and bring my fiddles of course I got anew one just last week had to space the strings out a little more and getting use to a little difference feel ; but I think the old german one sounds just more mellow puls I got one I orderd form china its got higher ring to it I think iam getting a love affair with them ha ha what a poor old fool I am see you all one of thease days god bless Michael white pray for the young soldiers over there my sister lost one of her grand son just recently he was just 20 that is way to young to die him and four others well I hope I can come up laterJuly 3, 2014 at 10:44 PM #4693
I am sorry to hear about your grand nephew. God bless his family.August 24, 2014 at 6:34 AM #8148
I know I’m a newbie, but…
Since when does the Key of C have sharps in it? I thought it went CDEFGAB. I noticed that the notation tab for Amazing Grace (Key of C) has a sharp(#) set just after the treble clef (amazingC_notes.pdf). Is that supposed to be there? Or am I reading it wrong?
Attachments:You must be logged in to view attached files.August 24, 2014 at 8:36 PM #8154
Great questions Charly. I originally put this song in ‘G’, which has an ‘F#’ in the scale, and then transposed it to ‘C’ without changing the key signature. I guess it isn’t optimal, but it works OK because there is no ‘F’ note in the entire song. So, it is kind of a red herring. If there were an ‘F’ note somewhere, the notation would have to show a “natural” sign beside of it, to negate the demands of the ‘G’ scale. So, if there were more than a few ‘F’s in the song, it would have begun to look cluttered with naturals, and so I would have changed the key signature to ‘C’.
I can see how this can be bothersome, though. I will change the key signature to remove the ‘F#’ and upload the file.August 24, 2014 at 8:58 PM #8156
Thanks John! Great explanation and I see how that could have happened since I looked at the second set of notation in the key of G. Glad there weren’t any ‘F’ notes in there for the key of C. I see transposing music from one key to another isn’t that difficult once you understand some of the theory behind it. Isn’t learning music theory fun!!! It’s always those ‘little’ things that get you.)))
Well…at least I’m learning something!
Thanks John for being my teacher!
CharlyAugust 24, 2014 at 10:11 PM #8162
You are welcome. I’m not perfect but I do try my best 🙂August 24, 2014 at 10:17 PM #8164Great ScottModerator
Perfect or not, you are doing an AWESOME job! Kudos, my friend!December 13, 2014 at 7:17 PM #13514
In the ornamentation for Amazing Grace, I saw these notes – a triplet that ends on E, and a pull-off from E to G. I don’t understand what the difference is between a normal finger change from E to G, and the shown pull-off from E to G. How can it be a pull-off if you’re going there anyway?
I’m wondering if a pull-off actually involves a slide down with the finger, rather than just a lift. (Of course then I wonder, by symmetry, if a hammer-on also involves a slide, which I don’t think it always does.) So is this pull-off really a “pull-off with slide” or something like that?
I’m having problems embedding an image, and I tried to attach it and that also failed (sigh). Don’t really know what to do now. The pull off is in bar 4 of the ornamented G tabs, if you want to look at it, just after the triplet E-G-E.
Attachments:You must be logged in to view attached files.December 14, 2014 at 11:14 AM #13521
The attachment worked!
A pull-off is not a slide. Technically a pull-off occurs whenever you lift your finger to expose a lower finger or open note during the same bow pull. In this particular song, I am highlighting several types of gracings. The difference between this grace pull-off and a regular pull-off is that the grace pull-off is performed quickly and with no timing indicated. It is just a quick lift as you enter the note.
Rock — Scott is unfortunately not back yet. His above post was from August 24th. Nice smiley though! 🙂December 14, 2014 at 10:39 PM #13529
Hi John, thanks for your words about pull offs. But… sorry to say that they didn’t really answer my question. My finger is already on the E note, and would already normally lift to get the D note. So is the grace note pull off telling me something special about how I should lift my finger off (other than normally)?
I’m thinking maybe the grace pull off is telling me NOT to lift my finger off normally. Instead, leave it on the E, sound a second (grace) E note before the D, and then pull off to hear the D?
I listened to you play it (quite a few times) and sometimes I thought I heard a second E note for a flicker of an instant before the D. But I could be mistaken, the notes were going by so fast. I posted my question here so everyone could learn, so please dig in deep on your reply.. 🙂December 14, 2014 at 10:55 PM #13530AngelaParticipant
John might answer this more or differently. But, since I just saw this, I thought I’d give my 2 cents (which may not even be worth that much).
The key is in the bow. A regular change from 1st finger e to open d would happen WITH the bow change. So you hear e (with one bow) then d (with the next bow). But when you play the pull off, you are playing the e…keep your finger down, change bow, and pull the e off to expose the d. That little split second e when the bow changes is the difference.December 15, 2014 at 4:28 AM #13537
That is right, Angela, it is a quick little E just before the D, that happens just at the change of the bow direction. Keven, you are right also. There are two E notes being played, back-to-back. The second E is the grace E, and is very short in length. It is a different bow direction from the E that ends the previous measure.December 15, 2014 at 1:02 PM #13542
Thanks to both of you for clearing that up. Now for the next question for John, could you please say a few words on why you picked that particular note for the grace note? Especially since there was a triplet roll right before it?
I’m looking for a convention or rule of thumb, like “Whenever you get a long note after a triplet, it’s always a good place for a grace note because…?” I’m hoping you didn’t just pick the D note at random to put a grace note on it.
A broader question concerns all grace notes – where are the best places to put them for maximum ornamental effect? Thanks
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