When You and I Were Young, Maggie

This is an online fiddle lesson for the tune "When You and I Were Young, Maggie."

BluegrassDaddy.com is your best source for Bluegrass, Old Time, Celtic, Gospel, and Country fiddle lessons!

Genre: Old Time, Bluegrass, Country, Celtic
Skill Level: Beginner
Key of D

You may download and use any of the MP3s and tablature for your personal use. However, please do not make them available online or otherwise distribute them.

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I have always loved this old tune. The lyrics are very poignant and the "Maggie" at the end of the first and third lines really gives the song a distinctive and memorable sound. It is a beautiful song to both fiddle and sing. I hope you enjoy!

Video #1: Here is a video of me performing the fiddle tune "When You and I Were Young, Maggie."

When You and I Were Young, Maggie - Online Fiddle Lessons. Celtic, Bluegrass, Old-Time, Gospel, and Country Fiddle. When You and I Were Young, Maggie - Online Fiddle Lessons. Celtic, Bluegrass, Old-Time, Gospel, and Country Fiddle. When You and I Were Young, Maggie - Online Fiddle Lessons. Celtic, Bluegrass, Old-Time, Gospel, and Country Fiddle. When You and I Were Young, Maggie - Online Fiddle Lessons. Celtic, Bluegrass, Old-Time, Gospel, and Country Fiddle.

From Wikipedia:

When You and I Were Young, Maggie is a famous folk song, popular song and standard. Though Springtown, Tennessee, has a small monument outside an old mill claiming the song was written by a local George Johnson, in 1820, for his Maggie, the truth is that its lyrics were written as a poem by the Canadian school teacher George Washington Johnson from Hamilton, Ontario. Margaret "Maggie" Clark was his pupil. They fell in love and were engaged. Maggie contracted tuberculosis, and during a period of illness, George walked to the edge of the Niagara escarpment, overlooking what is now downtown Hamilton, and composed the poem. The general tone is perhaps one of melancholy and consolation over lost youth rather than mere sentimentality or a fear of aging. It was published in 1864 in a collection of his poems entitled Maple Leaves. They were married in 1864 but Maggie's health deteriorated and she died on May 12, 1865. James Austin Butterfield set the poem to music and it became popular all over the world. George Washington Johnson died in 1917. The schoolhouse where the two lovers met still stands on the escarpment above Hamilton, and a plaque bearing the name of the song has been erected in front of the old building. In 2005, George Washington Johnson was inducted into the Canadian Songwriters Hall of Fame.

Some claim that the song was first sung by Frank Dumont "as the Duprez & Benedict's Minstrels programs, dated, will show" in 1870. The song was first recorded by Corinne Morgan and Frank C. Stanley in 1905 and has been recorded since by many famous artists including opera tenors John McCormack and Jan Peerce, early country singer Fiddlin' John Carson, bluegrass musicians Stanley Brothers, Reno and Smiley, Hank Snow, Mac Wiseman, David Grisman and James Alan Shelton, crooners Perry Como and Gene Autry and popular singers such as Will Oakland, Henry Burr, Harry MacDonough and Frank Dunn, and the Statler Brothers. Instrumental recordings of Butterfield's melody are also numerous, and date as far back as the 1930s. Notable recordings include those of jazzmen Benny Goodman, Fats Waller, Teddy Wilson and Sidney Bechet and ragtime pianist Johnny Maddox and Country guitar, Speedy Haworth. The song is also considered as a standard of blues and dixieland.

The song was used by Seán O'Casey in his 1926 play The Plough and the Stars, but the name "Maggie" was changed to "Nora" because the character, Clitheroe, was singing it to his wife Nora. Johnny McEvoy recorded it as "Nora" in 1968 and had a number one hit in Ireland. In 1983 Irish duo Foster & Allen reached number 27 in the UK singles chart with their version. It was also recorded by De Dannan on the album "Star-Spangled Molly", by Josef Locke on "Let there be Peace",and by James Galway and The Chieftains on "In Ireland". This led many people to think it was an Irish song.


When You and I were Young, Maggie

  D          D7         G     
I wandered today to the hill, Maggie
   D                 A
To watch the scene below
    D             D7        G
The creek and the rusty old mill, Maggie
         D          A           D
Where we sat in the long, long ago
    G                            D
The green grove is gone from the hill, Maggie
      A         E       A
Where first the daisies sprung
    D          D7      G      G7
The old creaky mill is still, Maggie
      D       A      D
Since you and I were young

A city so silent and lone, Maggie
Where the young and the gay and the best
In polished white mansions of stone, Maggie
Have each found a place of rest
Is built where the birds used to play, Maggie
And join in the songs that were sung
For we sang just as gay as they, Maggie
When you and I were young

They say I am feeble with age, Maggie
My steps are less sprightly than then
My face is a well written page, Maggie
But time alone was the pen
They say we are aged and gray, Maggie
As spray by the white breakers flung
But to me you're as fair as you were, Maggie
When you and I were young

(Reprise the chourus)
And now we are aged and gray, Maggie
The trials of life nearly done
Let us sing of the days that are gone, Maggie
When you and I were young
Posted in Beginner, Bluegrass, Celtic, Country, Folk, OldTime Tagged with: ,

Best Online Fiddle Lessons Forums When You and I Were Young, Maggie

This topic contains 11 replies, has 8 voices, and was last updated by  John Cockman 4 months ago.

Viewing 12 posts - 1 through 12 (of 12 total)
  • Author
    Posts
  • #4627

    John Cockman
    Keymaster

    When You and I Were Young, Maggie

    https://bluegrassdaddy.com/maggie-fiddle-lesson/

    • This topic was modified 47 years ago by .
    #4628

    Anonymous

    beautiful song. The fiddle and singing were great. will have to learn this one.

    #4629

    Mike Kim

    Love this awesome performing and lesson teaching. I thank you very much indeed.Your gentle and velvet voice balms my heart to reminisce the beautiful moment in my life. I am not able to perform the violin, but I enjoy the bluegrass music as you do. May Jesus the Lord’s grace be with you. I love you!

    #4630

    Jeff Churma
    Participant

    John,
    It was so nice to come home from a long day of listening and talking to folks ( Im a rehabilitation counselor for the state of ca. ) and spend an hour playing my fiddle. I learned Maggie while traveling through the smokey mountains this summer. I found a Wayne Erbsen book of blue grass gospel tunes. Watching you play it helped me to add some flavor to my version…Its such a great tune to play slowly, but also has a nice sound when its kicked up a notch…You really have a great thing going here. As I mentioned to you earlier, I have a lot of tunes that I have learned, and many are unpolished. Its nice to see some of them on your list, and watching you play allows me to polish them up. I feel like a kid in a candy shop!
    Jeff

    #7958

    erinelizabeth
    Participant

    OH, how I love this tune. My Dad’s favorite – I’ll be working on this one.

    #7959

    John Cockman
    Keymaster

    It is a beautiful tune! You’ll have to play it for your dad!

    #9969
    nagumaq
    nagumaq
    Participant

    Wow, great song, thanks John, so beautiful .

    #9972

    John Cockman
    Keymaster

    Thanks Gu, I thought this one went very well.

    #15007

    1943
    Participant

    I love the way you sing and play this tune. So sentimental, WOW. I must learn it! It will take me some time to get the beautiful sound I hear when you perform it. When I play my fiddle it is always so people can dance and they always ask what are you doing such as: a waltz, foxtrot etc. I can see it’s not a waltz nor a jig but I wouldn’t know how a person should dance to it. Maybe you could help me with that one? Thanks.
    Ann

    #15063

    John Cockman
    Keymaster

    It’s a bit slow for the Foxtrot. I think it would fit well with a Night Club Two-Step.

    #52419
    Steve Srader
    Steve Srader
    Participant

    Hey John I can’t figure how you end the tune the ending tag is not in the tablature

    #52457

    John Cockman
    Keymaster

    Sorry about that, Steve! It was a random tag and not the greatest. The best thing to do there is to either play the last line as the tag, or just end with a long root note.

Viewing 12 posts - 1 through 12 (of 12 total)

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