This is an online fiddle lesson for the tune "Liberty." BluegrassDaddy.com is your best source for Bluegrass, Old Time, Celtic, Gospel, and Country fiddle lessons!
Genre: Bluegrass, Old Time
Skill Level: Intermediate
Key of D
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Video #1: Here is a video of me performing the fiddle tune "Liberty" at 120 bpm.
“Liberty,” the tune with many names, traveled the world and back before becoming a staple in American music when Fiddlin’ John Carson made his historic recording of it in 1925. Soon to come were recordings of “Liberty” by Gid Tanner & His Skillet Lickers and Herschel Brown. Popular recordings of the tune soon came from Nashville fiddle great Tommy Jackson, as well as the King of Western Swing, Bob Wills and his Texas Playboys.
The tune’s history is as varied as the titles it has adopted. According to popular belief, “Liberty” was originally a French Canadian tune that could date back to the 1800s and perhaps earlier. Quebec fiddlers used the title of “Reel de Ti’ Jean.” Then in a highly unusual fashion for the time period, the tune could have traveled across to Europe ending up in the British Isles using a derivative of the original title, “Little John’s Reel.” Other versions had the tune named “The Tipsy Parson,” meaning a slightly drunk member of the clergy. It is not clear if “The Tipsy Parson” dates earlier than the Quebec version as it was never published in the British Isles at that time. To make matters even more complicated, the Contra Dance fiddlers in the Northeast also played a tune called Tipsy Parson that was in another key and a different tune altogether! So it begins to be more and more difficult to trace.
Next in its global journey, “Little John’s Reel” or “The Tipsy Parson” found its way back across the ocean to achieve its greatest success in the hands of the American fiddlers. From one corner of the country to the other, Americans played “Liberty” in their various regional styles. The Contra Dance fiddlers in the Northeast added it to their repertoire while the Cajun fiddlers in Louisiana played it as a Two Step. Fiddlers played it up and down the West Coast and in Canada, while Missouri named it as one of that state’s essential fiddle tunes. Fiddlers in the Deep South renamed it again with classic old-time titles like “The Raccoon and the Parson” or even the more Appalachian folksy “The Possum, Raccoon and the Preacher! (americanstrings.blogspot.com)>